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Via
Palladio 44 - Lonedo Lugo di Vicenza (VI) - ITALY
Phone: +39 0445.860561 - +39 339.3429942
- +39 338.7481028
Fax: +39 0445.860806 - E-mail: info@villagodi.com |
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Villa Godi Malinverni
belongs to the rich artistic patrimony of Venetian
Villas. Andrea Palladio built
the villa in 1542; Gianbattista Zelotti,
Battista del Moro and Gualtiero
Padovano adorned it with frescoes.
After having bought it in 1962, in a situation of degradation,
Prof. Remo Malinverni used his last years
of life to renew its ancient magnificence. |
ANDREA
PALLADIO
Andrea Palladio was born in Padua in 1508, son of
Pietro della Gondola who was a mill worker. After
moving to Vicenza at a young age, Andrea took a
job in the very active workshop of the so-called
Pedemuro who specialized in cutting marble and sculpture.
It was during this time of apprentice that Andrea
got “noticed” by Giangiorgio Trissino,
an aristocrat and refined intellectual of the Venetian
Mainland. Trissino decided to assign Andrea the
commission of restoring his wonderful Villa Cricoli,
located just outside Vicenza. He also decided to
take Andrea to Rome for his very first time.
Thank to the ancient roman buildings that he could
see not only in Rome, but also in Vicenza, Verona
and Padua, and through the experience of the works
of some of the most prominent architects such as
Giulio Romano, Michele Sanmicheli, Sebastiano Serlio
and Jacopo Sansovino, Andrea was able to develop
his own original style that we can still admire
in some of his important works such as Villa Almerico,
known as “La Rotonda” and Villa Barbaro
in Maser, which was frescoed by Veronese. Others
of his works include the beautiful Loggia of the
Captain and the Basilica of Vicenza. In Venice we
can admire his churches, the Redentore and Saint
George the Greater.
"In Lonedo luogo del Vicentino è
la seguente fabbrica del Signor Girolamo de' Godi
posta sopra un colle di bellissima uista, &
a canto un fiume, che serve per Peschiera. Per rendere
questo sito comodo per uso di Villa vi sono stati
fatti cortili, & strade sopra uolti con non
piccola spesa. La fabbrica di mezo è per
l'habitazione del padrone e della famiglia. Le stanze
del padrone hanno il piano loro alto da terra tredici
piedi, e sono in solaro, sopra quelle ui sono i
granari, & nella parte di sotto, cioè
nell'altezza di tredici piediui sono disposte le
cantine, i luoghi da fare i vini, la cucina, &
altri luoghi simili.
La sala giunge con la sua altezza fin sotto il tetto,
&ha due ordini di finestre. Dall'uno e dall'altro
lato ui sono i cortili, & i coperti per le cose
di Villa. E' stata questa fabbrica ornata di pitture
bellissime inventione da Maser Gualtiero Padovano,
da Messer Battista del Moro Veronese, & da Messer
Battista Veneziano; perché questo gentil'huomo,
il quale è giudiciosissimo per renderla a
quella eccellenza & perfezione, che sia possibile;
non ha guardato a spesa alcuna, & ha scelto
i più singolari, & eccellenti Pittori
de' nostri tempi."
Quote of Andrea Palladio from "The
Four Books of Architecture", 1570
THE ARCHITECTURE
Villa Godi Malinverni is the first villa
Palladio realized, as quoted in his Four
Books on Architecture. The commissioner and owner
of the property was Gerolamo Godi, who had it built
for his son Antonio as announced on a relief set
just above the loggia by the entrance. The work
was completed in 1542. The villa, which stands on
the slopes of the Lonedo hill overlooks the Astico
river and features some elements typical of castles,
such as “la colombaia” or columbaria.
Simulating a little tower, it would serve to control
and dominate the valley below. The central staircase’s
main access, rising to the noble floors and built
on top of the single archway supporting the loggia,
recalls in a way the typical structure of medieval
lift bridges, hence the need to control all the
entrances to the family’s private areas. The
central body in the front part of the villa is set
backward in opposition to the scheme of the villas
with towers usually built in the Veneto region.
On the sides of the villa are two right-angle projecting
bodies. The back of the villa comes forward, and
in the middle of the building that corresponds to
the main hall there is a serliana which was built
later during the restoration works in 1550, at the
place of the original roman thermal window.

"LA STREGA"
Pietro ANNIGONI
Italian portrait and fresco painter
Annigoni is most famous for his 1954 portrait of
Queen Elizabeth II
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